Posts filed under Zara Stanhope

10/06/2019

“Post hoc”: Attention to bygone phenomena – Interview with Dane Mitchell

This years’ pavilion of New Zealand of the 58. Venice Biennale in the Palazzina Canonica is housing an installation by Dane Mitchell. The exhibition is curated by Dr Zara Stanhope and Chris Sharp. The heart of the work is an inventory of over two million items, naming bygone phenomena, ranging from dead words to extinct… (read more)

Posted in Interviews and tagged 58th Biennale, Bienale di Venezia, bygone phenomena, Chris Sharp, Dane Mitchell, Institute of Marine Sciences, Instituto di Scienze Marine, Italy, New Zealand, New Zealand at Venice, Palazzina Canonica, Pavilion of New Zealand, Post hoc, Zara Stanhope
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25/01/2016

Biennale di Venezia 2015 – Three female artist participations

After “Three artistic approaches to conditions of labour” and “Artistic views on the world order” we are glancing at three female participations to the 56th International Art Exhibition in Venice. The first view in on “The Probable Trust Registry”. It is the awarded work from Adrian Piper in the Arsenale. Then we move to the… (read more)

Posted in Exhibitions and tagged 56th International Art Exhibition, Adrian Piper, Arsenale, Benjamin Franklin, Bienale di Venezia, Camille Norment, Elizabeth Dee Gallery Gallery, European skin-tone, Giardini, glass armonica, Golden Lion, I will always be too expensive to buy, Marie Antoinette, Mozart, Nordic Pavilion, Norway, Our Product, Pamela Rosenkranz, Rapture, Renaissance, Swiss Pavilion, Switzerland, The Probable Trust Registry, The Rules of the Game, Venice
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Artificialis

contemporary art / history of art

Posts filed under Zara Stanhope

10/06/2019

“Post hoc”: Attention to bygone phenomena – Interview with Dane Mitchell

25/01/2016

Biennale di Venezia 2015 – Three female artist participations

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