Born in 1974 in Varna, Bulgaria, Kina Bogdanova studied applied art with the focus on textile and graduated in figurative art pedagogics at the University “Kliment Ohridski” in Sofia, Bulgaria. Subsequently she taught art in secondary schools. In parallel, she pursued her personal artistic practice by painting. In 2002, she moved to Italy, where she immediately started to expose her work and participated successfully in competitions. When Kina relocated to the province of Ravenna in 2005, she had the possibility to examine the ancient Byzantine mosaics onsite instead of admiring them only in books. Inspired by this experience she continued her artistic education at the Accademia di Belle Arti in Ravenna with a two-year course specialising in mosaic. Since then, she worked in some of the traditional mosaic workshops in town and integrated this ancient craft in her creations to translate it into her personal contemporary art language.
The technique of mosaic has a long-standing tradition starting in Mesopotamia in the third millennium BC. Practised by the Ancient Greeks and Romans, it came in the 5th century to Ravenna, when the town was first main residency of the Western Roman emperors and since the 6th century capital of the Eastern Roman / Byzantine Exarchate. In this time, until the conquest by the Lombards in 751, many world-famous churches, like San Vitale and the two churches dedicated to Saint Apollinaris were constructed and embellished with rich mosaics. These traditional patterns or images are made of small regular or irregular pieces of coloured stone, glass or ceramic. They are covering walls, apses and floors. Therefore, they are mostly two-dimensional. Only in modern times mosaics became three-dimensional. For example, the Catalan architect and designer Antonio Gaudi conceived benches and animal sculptures for the Park Güell (1900-1914) in Barcelona. They are covered with ceramic and stone patterns by Josep Maria Jujol. Furthermore, some coloured Nana-sculptures by Niki de Saint Phalle (1930-2002) are familiar. In contemporary mosaic art, sculptures with mosaics are more common.
Regarding Kina’s oeuvre, it is remarkable that she does mosaic sculptures, while she comes by artistic origine from painting, which she still continuous. Nevertheless, also two-dimensional mosaic decorations are part of her oeuvre. Mainly animals and floral motives, are her models for the three-dimensional creations. These are richly embellished by murrine, beads, mirrored glass, and Tiffany glass, but she introduces also fabric. Many works are relatively monochrome, although she also likes to use bright colours. In her paintings, she uses a similar colour scheme. Even though her paintings are anchored in the plane, the sculptures are voluminous and have a structured skin by the mosaics. One of these works “Tulip Fish” from 2019 is our Artwork of the Month / November 2025.
During her career, Kina had many solo exhibitions and participated in numerous group exhibitions. Far beyond her main zone of activity in and around Ravenna and the Emilia Romagna region, her works travelled throughout Italy, Turkey (Topkapi Palace, Istanbul), France (Gradignan, Obernai), Latvia (Riga) and Bulgaria (Plovdiv, Jambol). Every year, the University of Bologna honours people for their engagement to promote rights and intercultural dialogue with the “Novi Cives – Costruttori di Cittadinanza” (Novi Cives – Builders of Citizenship) award. From 2015 to 2022 and in 2025 Kina made the prize mosaic. Moreover, she participated in executions of the mosaic mural “La Poderosa” (Sancti Spiritus, Cuba) and the mosaic installation “Alchemy” in Moscow. She was granted several prizes. Her most recent contributions were to the group exhibitions “Tre linguaggi musivi diversi” at the gallery B4 in Bologna and “Oltre il pensiero musivo a Ravenna” at the Galleria del Ridotto in Cesena, which were part of the “Biennale di Mosaico Contemporaneo of Ravenna 2025”.
Kina lives and works in the province of Ravenna.