03/05/2024

The 60th Biennale di Venezia: Foreigners Everywhere in the Giardini

La Biennale di Venezia – 60th International Art Exhibition 20 April – 24 November 2024 www.labiennale.org The 60th edition of the International Art Exhibition was officially opened to the public on Saturday the 20th of April 2024. Until November 24, it is possible to visit the main exhibition “Foreigners Everywhere – Stranieri Ovunque” curated by… (read more)

Posted in Exhibitions and tagged 2024, 60th edition, 60th International Art Exhibition, a Nucleo Storico, Abstractions, Adriano Pedrosa, Africa, Alessandra Ferrini, Andrés Curruchich, Arsenale, Asia, Barrington Watson, Berlin, Berlusconi, Bertina Lopes, Biennale di Venezia, Brazil, Casablanca School, Central Pavilion, Claire Fontaine, colonialisation, Cuba, Dean Sameshima, Denmark, diasporic, Diego Rivera, Eduardo Terrazas, émigrés, Emiliano Di Cavalcanti, Emilio Pettoruti, England, exiled, expatriates, Fahrelnissa Zeid, Foreigners Everywhere, Frida Kahlo, Gabrielle Goliath, Gaddafi, Giardini, Giulia Andreani, Global South, Guatemala, immigrants, Indigenous people, Italy, Latin America, LGBTQ+, Libya, Louis Fratino, Madge Gill, Malangatana Valente Ngwenya, Maya Kaqchikel, Mohammad Ehsaei, Mozambique, Nena Saguil, Nil Yalter, Nucleo Contemporaneo, Pablo Delano, painting, Paula Nicho Cumez, photo, Portraits, Portugal, Puerto Rico, Queer, refugees, Rosa Elena Curruchich, Santeria, sculpture, Stranieri Ovunque, Superflex, the Middle East, United States, Venice Biennale, video, Wifredo Lam
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contemporary art / history of art

Posts filed under Wifredo Lam

03/05/2024

The 60th Biennale di Venezia: Foreigners Everywhere in the Giardini

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