Artificialis

Artificialis

contemporary art / history of art

Posts filed under Vera Molnár

The 59th Venice Biennale (part 2): Nature and Technology

La Biennale di Venezia 2022 23 April – 27 November 2022 www.labiennale.org The presented artworks in the first part of our article about the Venice Biennale in the Giardini was a glance to the female conditions in society. In the second part, there is a focus on nature and technology, not without including bodies and… (read more)

The 59th Venice Biennale: A female look at the world

La Biennale di Venezia 2022 23 April – 27 November 2022 www.labiennale.org   Founded in 1895, the Venice biennale was – until now – dominated by masculine curators and artists. Since 1948, there were 32 male artistic directors and only 3 female. Additionally, there was two times a double curatorship, once a male-female couple, the… (read more)

The 59th Venice Biennale: Impressions

La Biennale di Venezia 59th International Art Exhibition The Milk of Dreams Venice (Giardini and Arsenale) 23 April – 27 November 2022 www.labiennale.org   This year’s Biennale opened officially on April 23rd, nearly one year later than planned due to the pandemic, but one month earlier than usual. Certainly, not only the schedule is particular…. (read more)

The Venice Biennale 2017: Water, Reflexion and Histories – three national participations

The 57th Venice Biennale is coming towards its end, an occasion to review three national contributions in the Giardini and the Arsenale. In the Italian Pavilion there are three artists approaching our common memory and present in a magical way. Whereas Geoffrey Farmer in the Canadian Pavilion targets his personal history with a glance to… (read more)