![\"\"](\"https:\/\/www.artificialis.eu\/wp-content\/uploads\/2018\/12\/Bucket-and-ReflectionWeb.jpg\")
<\/a>In January, \u201cBucket & Reflection<\/a><\/span>\u201d by the Australian painter Cally Lotz<\/a><\/span> seemed to be a photorealistic oil painting. Nevertheless, it turned out to be a strongly conceived arrangement.<\/p>\n<\/p>\n
<\/p>\n
<\/p>\n
<\/p>\n
<\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n Now we hope you will enjoy your summer and will be back with us in September when we present a new artwork of the month.<\/p>\n","protected":false},"excerpt":{"rendered":" Before the summer break, we would like to remind you our first six artworks. The six featured artists came from various corners of the world, as the artworks were different by technique and subject. With this review, we would like to thank all artists for their support. In January, \u201cBucket & Reflection\u201d by the… (read more<\/a>)<\/p>\n","protected":false},"author":1,"featured_media":8168,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[12],"tags":[1701,9,681,378,1694,1695,1789,1702,1314,1923,1819,1820,1821,1791,1922,1792,1790],"class_list":["post-8167","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artwork-of-the-month","tag-alessia-rollo","tag-artwork-of-the-month","tag-artworks-of-the-month","tag-betty-zanelli","tag-bucket-reflection","tag-cally-lotz","tag-door-ny-1986","tag-fata-morgana","tag-glenda-leon","tag-inversion-ii","tag-katerina-belkina","tag-receiving-orders","tag-salome-and-st-john","tag-series-1971","tag-summer-break","tag-tamara-stoffers","tag-voronezh"],"_links":{"self":[{"href":"https:\/\/www.artificialis.eu\/index.php?rest_route=\/wp\/v2\/posts\/8167","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artificialis.eu\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artificialis.eu\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artificialis.eu\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artificialis.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=8167"}],"version-history":[{"count":0,"href":"https:\/\/www.artificialis.eu\/index.php?rest_route=\/wp\/v2\/posts\/8167\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artificialis.eu\/index.php?rest_route=\/wp\/v2\/media\/8168"}],"wp:attachment":[{"href":"https:\/\/www.artificialis.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=8167"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artificialis.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=8167"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artificialis.eu\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=8167"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}<\/a>Even though a photo, Alessia Rollo<\/a><\/span>\u2019s image of her series \u201cFata Morgana<\/a><\/span>\u201d appears mysterious and the artist intends some uncertainty. Not only in our chosen picture, but also in the whole series the artist plays with the ambiguous image in the media of her home region Salento, in the south of Italy<\/p>\n<\/a>With the Italian artist Betty Zanelli<\/a><\/span>, we travelled back into time to review an initially preparatory sketch for a door leaf from 1986. However, the collage can stand as independent artwork. \u201cDoor, NY, 1986<\/a><\/span>\u201d implies Betty\u2019s reflections about history and contemporaneity and is still relevant today.<\/p>\n<\/a>Tamara Stoffers<\/a><\/span> from the Netherlands heads with her photo collages also into the past and a state, bygone before her birth. \u201cVoronezh<\/a><\/span>\u201d from her series \u201c1971\u201d, seems to reanimate the soviet socialist realism, though her images have an uncharacteristic ease.<\/p>\n<\/a>The Russian artist Katerina Belkina<\/a><\/span> went the opposite direction of time travel. She transferred the traditional Salome from biblical times into the present. \u201cReceiving Orders. Salome and St. John<\/a><\/span>\u201d from the series \u201cRevival\u201d refers not only to historical models, but also to contemporary concerns.<\/p>\n<\/a>With the video \u201cInversion II<\/a><\/span>\u201d, the Cuban artist Glenda Le\u00f3n<\/span><\/a> formally inversed images and processes. In doing so, she questions the superordinate role of money in many societies.<\/p>\n