The installation \u201cTransboundary #4\u201d by Betty Zanelli seems to treat migratory movements of birds of passage. Nevertheless, it is also about barriers which exclude people. Whereas Giovanni de Gara wants to encourage a reflection about welcoming with \u201cEldorato\u201d. At the association \u201cL\u2019Altro Spazio\u201d we experienced living inclusion and the artist Fabrizio Tartari. With the exhibition \u201cAdrian, George, Peter, Sofia e Tamina\u201d, the gallery P420 wants to disturb the visitors and at the Gallleriapi\u00f9 D\u00e9bora Delmar makes us aware of the dramatic changes from the traditional European coffee-house-culture to the present Coffee-to-go-attitude.<\/p>\n
<\/p>\n
Betty Zanelli: Transboundary #4 – CobaltoLab<\/a> <\/p>\n Betty Zanelli: Transboundary #4<\/strong> 2 \u2013 23 February 2019<\/p>\n In the small shop CobaltoLab, which offers handmade, sustainable clothing, Betty Zanelli installed \u201cTransboundary #4\u201d. Welcomed by birds twittering, there is a group of images of various birds. Accompanied by several maps, it is at first glance a documentation about the migratory movements of birds of passage. The description about these migratory animals, who know no political borders, seem to underline this. Nevertheless, the closer view on the often statistical records reveals that the project is also talking about human migration, highlighted by miniature people in front of huge geographical maps. In opposite to the birds, who freely fly wherever they want, human beings establish insurmountable barriers, more or less visible to exclude the \u201cother\u201d or the \u201cstranger\u201d.<\/p>\n <\/p>\nngg_shortcode_0_placeholder\n Giovanni de Gara: Eldorato<\/strong> 30 January \u2013 4 February 2019<\/p>\n Giovanni de Gara\u2019s project \u201cEldorato\u201d has a related purpose. It is his second installation in Bologna and another stop of his voyage through Italy, started in June 2018 at the church San Miniato al Monte in Florence. Since then, he made several installations with golden thermal blankets all over the country. Often interpreted as referring to human migration, the objective is even larger: to encourage a deep reflexion about the subject of welcome towards every individual person, without distinction of race, gender, faith, to give a sign of warmth and salvation.<\/p>\n <\/p>\nngg_shortcode_1_placeholder\n Fabrizio Tartari: 20019<\/strong> 2 \u2013 3 February 2019<\/p>\n The association \u201cL\u2019Altro Spazio\u201d is an example of living inclusion concerning disabled, strangers and everyone who likes to be included. Accordingly, the works by Fabrizio Tartari have as key point, to show fantasy forms and bizarre characters. Due to his paintings, with his expressive tendencies he might be considered as outsider, like the protagonists of the so-called na\u00efve art. Nevertheless, several got famous, once discovered. Apart from that, Fabrizio\u2019s creations, particularly when applied as serigraphy on cloth or ceramics have a high graphic design potential. The team of the creative laboratory Marakanda from the cooperative Open Group, who accommodates intellectual disabled people, curated the exhibition. Part of the event was also a painting-collage, which was extended by children during their stay.<\/p>\n <\/p>\nngg_shortcode_2_placeholder\n Adrian, George, Peter, Sofia e Tamina<\/strong> 31 January \u2013 30 March 2019<\/p>\n Conceived to be a disturbing exhibition and to cause a slight headache, the gallery P420 presented five artists coming from five different geographical backgrounds. Each of them has his\/her own story and battle with form. They all have in common to work process-based, with the result that the paintings are more than image-based representations, but refer to the creative practise behind. Even though they are all paintings, the subjects, the techniques and the approaches are very divers. Nevertheless, the premise of the white cube and the hanging have a unifying function without hiding the contrasts. <\/p>\nngg_shortcode_3_placeholder\n D\u00e9bora Delmar: Stressed, blessed and coffee obsessed<\/strong> 31 January \u2013 30 March 2019<\/p>\n Also the exhibition at the Gallleriapi\u00f9 by D\u00e9bora Delmar, has something disturbing, if not, by the title, \u201cStressed, blessed and coffee obsessed\u201c. It describes in few words the effects of our contemporary competitive society. Entering the space, modified pictures of coffeehouses around the world reminding the way from traditional European coffeehouse culture to a lifestyle product. Originally, a place of artistic and intellectual exchange, coffee bars became fashioned consumer spaces. This development is underlined by the neon chandelier \u201cCoffee Coffee Coffeeeeeeeeee\u201d. \u201cExclusive Providers\u201d \u2013 stacked plastic chairs \u2013 indicate, that there is no more place linger. The coffee paper cubs in a row on the floor go even further. With the \u201cCoffee-to-go\u201d, there is no need to rest.<\/p>\n <\/p>\nngg_shortcode_4_placeholder\n All about the Arte City 2019<\/strong><\/p>\n What happened during the Arte City 2019 in Bologna?<\/span><\/a><\/p>\n Part 1: Arte City 2019: Exclusion, Inclusion, Disturbance<\/p>\n Part 2: Arte City 2019: What the future brings \u2026<\/span><\/a><\/p>\n Part 3: Arte City 2019: Poesy from heaven and the underground and in between the two<\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":" The installation \u201cTransboundary #4\u201d by Betty Zanelli seems to treat migratory movements of birds of passage. Nevertheless, it is also about barriers which exclude people. Whereas Giovanni de Gara wants to encourage a reflection about welcoming with \u201cEldorato\u201d. At the association \u201cL\u2019Altro Spazio\u201d we experienced living inclusion and the artist Fabrizio Tartari. With the exhibition… (read more<\/a>)<\/p>\n","protected":false},"author":1,"featured_media":7562,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[18],"tags":[1751,1746,378,23,1745,1750,1747,44,1752,1625,1748,1749,1753,1754,1755],"class_list":["post-7561","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exhibitions","tag-adrian-buschmann","tag-aula-magna","tag-betty-zanelli","tag-bologna","tag-cobaltolab","tag-debora-delmar","tag-fabrizio-tartari","tag-gallleriapiu","tag-george-rouy","tag-giovanni-de-gara","tag-laltro-spazio","tag-p420-arte-city-2019","tag-peter-shear","tag-sofia-silva","tag-tamina-amadyar"],"_links":{"self":[{"href":"https:\/\/www.artificialis.eu\/index.php?rest_route=\/wp\/v2\/posts\/7561","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artificialis.eu\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artificialis.eu\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artificialis.eu\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artificialis.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7561"}],"version-history":[{"count":0,"href":"https:\/\/www.artificialis.eu\/index.php?rest_route=\/wp\/v2\/posts\/7561\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artificialis.eu\/index.php?rest_route=\/wp\/v2\/media\/7562"}],"wp:attachment":[{"href":"https:\/\/www.artificialis.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7561"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artificialis.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=7561"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artificialis.eu\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=7561"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nGiovanni de Gara: Eldorato – Aula Magna of the University of Bologna<\/a>
\nFabrizio Tartari: 20019 \u2013 L\u2019Altro Spazio<\/a>
\nAdrian, George, Peter, Sofia e Tamina \u2013 P420<\/a>
\nD\u00e9bora Delmar: Stressed, blessed and coffee obsessed – Gallleriapi\u00f9<\/a><\/p>\n
\nCobaltoLab
\nVia Guerrazzi 10\/d, Bologna
\nhttps:\/\/cobaltolab.it<\/a><\/span><\/p>\n
\nEx-church Santa Lucia, today Aula Magna of the University of Bologna
\nVia Castiglione, Bologna
\nwww.giovannidegara.org<\/a><\/span><\/p>\n
\nL\u2019Altro Spazio
\nVia Nazario Sauro 24f, Bologna
\nwww.laltrospazio.com<\/a><\/span><\/p>\n
\nP420
\nVia Azzo Gardino 9, Bologna
\nhttp:\/\/p420.it<\/a><\/span><\/p>\n
\nArtists: Adrian Buschmann (Katowice, PL), George Rouy (Sittingbourne, UK), Peter Shear (Beverly Farms, Massachusetts, US), Sofia Silva (Padova, IT) & Tamina Amadyar (Kabul, AFG)<\/p>\n
\nGallleriapi\u00f9
\nVia del Porto48 a\/b, Bologna
\nwww.gallleriapiu.com<\/a><\/span><\/p>\n