{"id":6280,"date":"2018-02-26T20:38:44","date_gmt":"2018-02-26T18:38:44","guid":{"rendered":"https:\/\/www.artificialis.eu\/?p=6280"},"modified":"2018-02-27T20:38:31","modified_gmt":"2018-02-27T18:38:31","slug":"arte-city-2018-from-painting-to-performance","status":"publish","type":"post","link":"https:\/\/www.artificialis.eu\/?p=6280","title":{"rendered":"ARTE CITY 2018: from painting to performance"},"content":{"rendered":"<p><a href=\"https:\/\/www.artificialis.eu\/wp-content\/uploads\/2018\/02\/WhiteNight2018.jpg\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-5657\" title=\"Via Zamboni, Bologna\" src=\"https:\/\/www.artificialis.eu\/wp-content\/uploads\/2018\/02\/WhiteNight2018-300x225.jpg\" alt=\"\" width=\"228\" height=\"171\" srcset=\"https:\/\/www.artificialis.eu\/wp-content\/uploads\/2018\/02\/WhiteNight2018-300x225.jpg 300w, https:\/\/www.artificialis.eu\/wp-content\/uploads\/2018\/02\/WhiteNight2018-768x576.jpg 768w, https:\/\/www.artificialis.eu\/wp-content\/uploads\/2018\/02\/WhiteNight2018-1024x768.jpg 1024w, https:\/\/www.artificialis.eu\/wp-content\/uploads\/2018\/02\/WhiteNight2018-150x113.jpg 150w\" sizes=\"auto, (max-width: 228px) 100vw, 228px\" \/><\/a><\/p>\n<p><em>During the weekend of the ARTE FIERA in Bologna, there are many artistic initiatives to welcome visitors and local residents. The range is huge from classical panel painting to installation, film projection and performance. Every art lover might find something interesting. In the following, we present our impressions of 28 events. They are sorted by the end date, since several shows are still ongoing.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Bruna Esposito: Inconveniente<\/strong><br \/>\nRaccolta Lecaro<br \/>\n<span style=\"color: #2c80aa;\"><a style=\"color: #2c80aa;\" href=\"http:\/\/www.raccoltalercaro.it\" target=\"_blank\" rel=\"noopener\">www.raccoltalercaro.it<\/a><\/span><br \/>\n1 February \u2013 24 June 2018<\/p>\n<p>The sculptural works by Bruna Esposito &#8211; created since 2014 &#8211; primarily use the colour gold. This could be isothermal safety covers or golden wrapping paper in reference to these. The cycle is inspired by television pictures of the arriving of refugees from Africa in Lampedusa (Italian island). They often show people protected by these covers as initial aid.<\/p>\nngg_shortcode_0_placeholder\n<p>&nbsp;<\/p>\n<p><strong>Roberto Daolio. Aggregati per differenze (1978-2010)<\/strong><br \/>\nMAMbo \u2013 Project Room<br \/>\n<span style=\"color: #2c80aa;\"><a style=\"color: #2c80aa;\" href=\"http:\/\/www.mambo-bologna.org\" target=\"_blank\" rel=\"noopener\">www.mambo-bologna.org<\/a><\/span><br \/>\n8 December 2017 &#8211; 6 May 2018<\/p>\n<p>The exhibition shows the non-intentional collection of the late Robert Daolio, Italian art critic.<\/p>\nngg_shortcode_1_placeholder\n<p>&nbsp;<\/p>\n<p><strong>Gianni Dess\u00ec: Sestante<\/strong><br \/>\nOtto Gallery<br \/>\n<span style=\"color: #2c80aa;\"><a style=\"color: #2c80aa;\" href=\"http:\/\/www.otto-gallery.it\" target=\"_blank\" rel=\"noopener\">www.otto-gallery.it<\/a><\/span><br \/>\n20 January \u2013 15 April 2018<\/p>\n<p>The exhibitions title \u201cSextant\u201d refers to a journey. In the case of Gianni Dess\u00ec it\u2019s an expedition into time and space, with paintings and sculptures from different periods. Thereby meet bright yellow oeuvres gloomy black ones.<\/p>\nngg_shortcode_2_placeholder\n<p>&nbsp;<\/p>\n<p><strong>I Lied in Visa Center &#8211; Group show<\/strong><br \/>\nGallleriapi\u00f9<br \/>\n<span style=\"color: #2c80aa;\"><a style=\"color: #2c80aa;\" href=\"http:\/\/www.gallleriapiu.com\" target=\"_blank\" rel=\"noopener\">www.gallleriapiu.com<\/a><\/span><br \/>\n3 February &#8211; 14 April 2018<\/p>\n<p>The group exhibition reflects about the dramatic changes in the memory and identity due to forced exile.<\/p>\nngg_shortcode_3_placeholder\n<p>&nbsp;<\/p>\n<p><strong>John Coplans + June Crespo: Foreign Bodies<\/strong><br \/>\nP420<br \/>\n<span style=\"color: #2c80aa;\"><a style=\"color: #2c80aa;\" href=\"http:\/\/www.p420.it\" target=\"_blank\" rel=\"noopener\">www.p420.it<\/a><\/span><br \/>\n3 February \u2013 31 March 2018<\/p>\n<p>John Coplan\u2019s photographs of masculine bodies and June Crespo\u2019s sculptures \u2013 pointing on the contemporary models of the female body are interacting in this exhibition.<\/p>\nngg_shortcode_4_placeholder\n<p>&nbsp;<\/p>\n<p><strong>Leoncillo<\/strong><br \/>\nGalleria d\u2019Arte Maggiore<br \/>\n<span style=\"color: #2c80aa;\"><a style=\"color: #2c80aa;\" href=\"http:\/\/www.maggioregam.com\" target=\"_blank\" rel=\"noopener\">www.maggioregam.com<\/a><\/span><br \/>\n27 January \u2013 31 March 2018<\/p>\n<p>The Galleria d\u2019Arte Maggiore presents ceramic sculptures, sketches and paintings by the late master Leoncillo.<\/p>\nngg_shortcode_5_placeholder\n<p>&nbsp;<\/p>\n<p><strong>Mataro da Vergato: Royal Eros<\/strong><br \/>\nSpazio Testoni<br \/>\n<span style=\"color: #2c80aa;\"><a style=\"color: #2c80aa;\" href=\"http:\/\/www.spaziotestoni.it\" target=\"_blank\" rel=\"noopener\">www.spaziotestoni.it<\/a><\/span><br \/>\n26 January \u2013 29 March 2018<\/p>\n<p>Mataro da Vergato\u2019s depicted jewels are digital paintings and composed by hundreds of human beings, often in unusual posture.<\/p>\nngg_shortcode_6_placeholder\n<p>&nbsp;<\/p>\n<p><strong>Angelo Maisto: little things<\/strong><br \/>\nBLU Gallery<br \/>\n<span style=\"color: #2c80aa;\"><a style=\"color: #2c80aa;\" href=\"http:\/\/www.blugallery.it\" target=\"_blank\" rel=\"noopener\">www.blugallery.it<\/a><\/span><br \/>\n3 February \u2013 17 March 2018<\/p>\n<p>With his aquarelles and installations, Angelo Maisto carries us off into a surrealistic world close to Hieronymus Bosch. But his oeuvres are not so gloomy. On first glance, they seem to be pretty and decorative. Only on the second view, they reveal many surprises.<\/p>\nngg_shortcode_7_placeholder\n<p>&nbsp;<\/p>\n<p><strong>Virgilo Villoresi \/\/ Click Clack<\/strong><br \/>\nAdiacenze<br \/>\n<span style=\"color: #2c80aa;\"><a style=\"color: #2c80aa;\" href=\"http:\/\/www.adiacenze.it\" target=\"_blank\" rel=\"noopener\">www.adiacenze.it<\/a><\/span><br \/>\n2 February \u2013 15 March 2018<\/p>\n<p>Virgilo Villoresi allows fascinating panoramas with his kinetic installations.<\/p>\nngg_shortcode_8_placeholder\n<p>&nbsp;<\/p>\n<p><strong>Vedovamazzei: Unexpected Landscapes<\/strong><br \/>\nGalleria de\u2019Foscherari<br \/>\n<span style=\"color: #2c80aa;\"><a style=\"color: #2c80aa;\" href=\"http:\/\/www.defoscherari.com\" target=\"_blank\" rel=\"noopener\">www.defoscherari.com<\/a><\/span><br \/>\n20 January \u2013 10 March 2018<\/p>\n<p>\u201cUnexpected Landscapes\u201d unites a wide range of different techniques. The artist duo Simeone Crispino and Stella Scala &#8211; known as Vedovamazzei \u2013 presents sculpture, painting, and installation.<\/p>\nngg_shortcode_9_placeholder\n<p>&nbsp;<\/p>\n<p><strong>Mariarosaria Stigliano: La Settima Luna<\/strong><br \/>\nGalleria B4<br \/>\n<span style=\"color: #2c80aa;\"><a style=\"color: #2c80aa;\" href=\"http:\/\/www.galleriab4.it\" target=\"_blank\" rel=\"noopener\">www.galleriab4.it<\/a><\/span><br \/>\n27 January \u2013 7 March 2018<\/p>\n<p>Mariarosaria Stigliana paints cityscapes with oil, pigments and lacquer on canvas.<\/p>\nngg_shortcode_10_placeholder\n<p>&nbsp;<\/p>\n<p><strong>Elia Cantori<\/strong><br \/>\nDirezione generale Banca di Bologna<br \/>\nPiazza Galvani 4<br \/>\n2 February \u2013 4 March 2018<\/p>\n<p>On first glance, Elia Cantori\u2019s images resemble photographs. Nevertheless, they are photograms: direct impressions of meteorite dusk scattered over the photosensitive paper. Aluminium casts of his series \u201cUntitled (1:1 Map)\u201d complete the exhibition.<\/p>\nngg_shortcode_11_placeholder\n<p>&nbsp;<\/p>\n<p><strong>Erin Shirreff<\/strong><br \/>\nSalone Banca di Bologna<br \/>\nPalazzo De\u2019 Toschi<br \/>\n2 February \u2013 4 March 2018<\/p>\n<p>The first solo exhibition of the Canadian artist contained two monumental works. There was the large screen video projection of \u201cSon\u201d and the installation \u201cMany Moons\u201d, with reference to the Bolognese artist Giorgio Morandi.<\/p>\nngg_shortcode_12_placeholder\n<p>&nbsp;<\/p>\n<p><strong>POLIS \/ Cinema: The coming Community<\/strong><br \/>\nMAMbo<br \/>\n<span style=\"color: #2c80aa;\"><a style=\"color: #2c80aa;\" href=\"http:\/\/www.mambo-bologna.org\" target=\"_blank\" rel=\"noopener\">www.mambo-bologna.org<\/a><\/span><br \/>\n1 \u2013 28 February 2018<\/p>\n<p>POLIS \/ Cinema showed films in the MAMbo, reflecting about the Bolognese and Italian communist and post-communist identity. For the projection, the museum took down the huge painting \u201cI Funerali di Togliatti\u201d by Renato Guttuso.<\/p>\nngg_shortcode_13_placeholder\n<p>&nbsp;<\/p>\n<p><strong>Deutscher Werkbund<\/strong><br \/>\nIstituto di cultura germanica<br \/>\n<span style=\"color: #2c80aa;\"><a style=\"color: #2c80aa;\" href=\"http:\/\/www.istitutodiculturagermanica.com\" target=\"_blank\" rel=\"noopener\">www.istitutodiculturagermanica.com<\/a><\/span><br \/>\n27 January \u2013 28 February 2018<\/p>\n<p>On the occasion of the hundreds anniversary of the Cologne based fair of the German Association of Craftsmen (Deutscher Werkbund), a scientific group of the Roman university La Sapienza assembled material about the event from 1914. Now, the Cultural Commission of Bolognese Architects completed the exhibition with the supplement \u201cFrom the sofa cushion to city construction\u201d to underline the far-reaching claim of the reform-movement.<\/p>\nngg_shortcode_14_placeholder\n<p>&nbsp;<\/p>\n<p><strong>Ren\u00e9 Paresce &#8211; Italiani a Parigi: Campigli, de Chirico, de Pisis, Savinio, Severini, Tozzi<\/strong><br \/>\nMuseo e l\u2019Oratorio di Santa Maria della Vita<br \/>\n<span style=\"color: #2c80aa;\"><a style=\"color: #2c80aa;\" href=\"https:\/\/genusbononiae.it\/palazzi\/santa-maria-della-vita\" target=\"_blank\" rel=\"noopener\">https:\/\/genusbononiae.it\/palazzi\/santa-maria-della-vita<\/a><\/span><br \/>\n7 December 2017 \u2013 25 February 2018<\/p>\n<p>Point of Departure of the exhibition are paintings by Ren\u00e9 Paresce, completed by other Italian artists who resided in the first quarter of the 20th century in Paris.<\/p>\nngg_shortcode_15_placeholder\n<p>&nbsp;<\/p>\n<p><strong>POLIS \/ Artworks (Andreco, Dennis Oppenheim &amp; Luigi Veronesi)<\/strong><br \/>\nMuseo di Palazzo Poggi<br \/>\n<span style=\"color: #2c80aa;\"><a style=\"color: #2c80aa;\" href=\"http:\/\/www.sma.unibo.it\/it\/il-sistema-museale\/museo-di-palazzo-poggi\" target=\"_blank\" rel=\"noopener\">www.sma.unibo.it\/it\/il-sistema-museale\/museo-di-palazzo-poggi<\/a><\/span><br \/>\n1 \u2013 25 February 2018<\/p>\n<p>Artworks by Andreco, Dennis Oppenheim and Luigi Veronesi were to discover in the charming halls of the museum of Science and Art. The encounter between contemporary art, scientific pieces and historic ambience generated new synergies.<\/p>\nngg_shortcode_16_placeholder\n<p>&nbsp;<\/p>\n<p><strong>POLIS \/ BBQ: Viewer Abandonment \u2013 Greatest Hits (Gavin Bell, Jarrah de Kuijer &amp; Simon McGlinn)<\/strong><br \/>\nTripla<br \/>\n<span style=\"color: #2c80aa;\"><a style=\"color: #2c80aa;\" href=\"http:\/\/spaziotripla.com\" target=\"_blank\" rel=\"noopener\">http:\/\/spaziotripla.com<\/a><\/span><br \/>\n2 -21 February 2018<\/p>\n<p>In the context of POLIS \/ BBQ Tripla presented the Australian artist collective with the video \u201cViewer Abandonment\u201d. Newspaper pages covered the three showcases of Tripla. Only a rectangle gap allowed the outlook to the film.<\/p>\nngg_shortcode_17_placeholder\n<p>&nbsp;<\/p>\n<p><strong>Claudio Olivieri: Un Percorso \u2013 Anni Sessanta-Duemila<\/strong><br \/>\nLa Spazia<br \/>\n<span style=\"color: #2c80aa;\"><a style=\"color: #2c80aa;\" href=\"http:\/\/www.galleriaspazia.com\" target=\"_blank\" rel=\"noopener\">www.galleriaspazia.com<\/a><\/span><br \/>\n20 January \u2013 20 February 2018<\/p>\n<p>Departing from the research of a painter with attention to the birth of a painting and its development on the canvas in the 1960s, Claudio Olivieri experimented with his medium. In the years 2000 he archived images of extreme transparency and luminosity.<\/p>\nngg_shortcode_18_placeholder\n<p>&nbsp;<\/p>\n<p><strong>Roberto Pugliese: Transanatomy<\/strong><br \/>\n<span style=\"color: #2c80aa;\"><a style=\"color: #2c80aa;\" href=\"http:\/\/www.robertopugliese.com\" target=\"_blank\" rel=\"noopener\">www.robertopugliese.com<\/a><\/span><br \/>\nTeatro anatomica dell\u2019Archiginnasio<br \/>\n1 \u2013 18 February 2018<\/p>\n<p>On the table of the Anatomical Theatre of the historic Archiginnasio di Bologna, Roberto Pugliese installed two interacting robots. They seem to conduct like human beings.<\/p>\nngg_shortcode_19_placeholder\n<p>&nbsp;<\/p>\n<p><strong>David Medalla: Locus Solus. Omaggio ad Arthur Rimbaud<\/strong><br \/>\nGalleria Enrico Astuni<br \/>\n<span style=\"color: #2c80aa;\"><a style=\"color: #2c80aa;\" href=\"http:\/\/www.galleriaastuni.net\" target=\"_blank\" rel=\"noopener\">www.galleriaastuni.net<\/a><\/span><br \/>\n2 Decembre 2017 &#8211; 18 February 2018<\/p>\n<p>\u201cLocus Solus\u201d shows works by David Medalla, including paintings, drawings, performance photos and installations. The exhibition is completed by oeuvres linked to the project \u201cMondrian Fan Club\u201d executed in autumn 2017 during the artists residency in Bologna.<\/p>\nngg_shortcode_20_placeholder\n<p>&nbsp;<\/p>\n<p><strong>Mexico \u2013 La mostra sospesa \u2013 Orozco, Rivera, Siqueiros<\/strong><br \/>\nPalazzo Fava<br \/>\n<span style=\"color: #2c80aa;\"><a style=\"color: #2c80aa;\" href=\"https:\/\/genusbononiae.it\/palazzi\/palazzo-fava\" target=\"_blank\" rel=\"noopener\">https:\/\/genusbononiae.it\/palazzi\/palazzo-fava<\/a><\/span><br \/>\n19 October 2017 \u2013 18 February 2018<\/p>\n<p>Due to the inauguration scheduled for the 13th September 1973, the oeuvres of the collection Alvar Carrillo Gil and Carmen Tejero were already in place. Though two days before, the military under Augusto Pinochet took over power by a coup d\u2019\u00e9tat and the oeuvres by Orozco, Rivera and Siqueiros were sent back to Mexico in a hurry. A significant part of this pending show was on view in the Palazzo Fava.<\/p>\nngg_shortcode_21_placeholder\n<p>&nbsp;<\/p>\n<p><strong>Peter Demetz: Ieratica<\/strong><br \/>\nArt Forum Contemporary<br \/>\n<span style=\"color: #2c80aa;\"><a style=\"color: #2c80aa;\" href=\"http:\/\/www.artforum.it\" target=\"_blank\" rel=\"noopener\">www.artforum.it<\/a><\/span><br \/>\n20 January \u2013 15 February 2018<\/p>\n<p>In the exhibition, Peter Demetz\u2019 wooden sculptures frequently leave the typical frame. Some even dare a glance into the mirror.<\/p>\nngg_shortcode_22_placeholder\n<p>&nbsp;<\/p>\n<p><strong>Joseph Montgomery: via degli Eremiti<\/strong><br \/>\nCAR DRDE<br \/>\n<span style=\"color: #2c80aa;\"><a style=\"color: #2c80aa;\" href=\"http:\/\/www.cardrde.com\" target=\"_blank\" rel=\"noopener\">www.cardrde.com<\/a><\/span><br \/>\n25 November 2017 &#8211; 10 February 2018<\/p>\n<p>Joseph Montgomery\u2019s oeuvres are in permanent tension between painting and sculpture. His hybrids have traditional elements of painting like canvas and colour, expanded to collages. At the same time, they are interacting on different levels like reliefs.<\/p>\nngg_shortcode_23_placeholder\n<p>&nbsp;<\/p>\n<p><strong>Maria Rebecca Ballestra: Morphosis<\/strong><br \/>\nGalleria Cavour, Green Lounge<br \/>\n<span style=\"color: #2c80aa;\"><a style=\"color: #2c80aa;\" href=\"http:\/\/www.rebeccaballestra.com\" target=\"_blank\" rel=\"noopener\">www.rebeccaballestra.com<\/a><\/span><br \/>\n2 \u2013 10 February 2018<\/p>\n<p>Maria Rebecca Ballestra questions the relation between humans and nature.<\/p>\nngg_shortcode_24_placeholder\n<p>&nbsp;<\/p>\n<p><strong>Nino Noce: 88-18<\/strong><br \/>\nStudio Nino Noce<br \/>\n<span style=\"color: #2c80aa;\"><a style=\"color: #2c80aa;\" href=\"https:\/\/ninonoce.it\" target=\"_blank\" rel=\"noopener\">https:\/\/ninonoce.it<\/a><\/span><br \/>\n27 January \u2013 4 February 2018<\/p>\n<p>In his studio, Nino Noce exposed several works from 1988 until today. His practice is not only painting, but also a kind of collage where he inserts fabric onto the canvas<\/p>\nngg_shortcode_25_placeholder\n<p>&nbsp;<\/p>\n<p><strong>Unpredictable: Preparing for the Future, without knowing what it will be like<\/strong><br \/>\nFondazione Golinelli<br \/>\n<span style=\"color: #2c80aa;\"><a style=\"color: #2c80aa;\" href=\"http:\/\/www.fondazionegolinelli.it\" target=\"_blank\" rel=\"noopener\">www.fondazionegolinelli.it<\/a><\/span><br \/>\n13 October 2017 \u2013 4 February 2018<\/p>\n<p>For \u201cUnpredictable\u201d 16 international artists presented their ideas about what might be significant in a nearer or farer future.<\/p>\nngg_shortcode_26_placeholder\n<p>&nbsp;<\/p>\n<p><strong>POLIS \/ BBQ: Performance: Fare un\u2019immagine di tanto in tanto \u2013 Matteo Coluccia<\/strong><br \/>\nLocaledue<br \/>\n<span style=\"color: #2c80aa;\"><a style=\"color: #2c80aa;\" href=\"http:\/\/www.localedue.it\" target=\"_blank\" rel=\"noopener\">www.localedue.it<\/a><\/span><br \/>\n3 February 2018, 20 p.m.<\/p>\n<p>Matteo Coluccia questions about the human conditions, about the forms of power enabled by images.<\/p>\nngg_shortcode_27_placeholder\n<p>&nbsp;<\/p>\n<p><strong>Summary about the Art Fairs and art events in Bologna, February 2018:<\/strong><\/p>\n<p><span style=\"color: #2c80aa;\"><a style=\"color: #2c80aa;\" href=\"https:\/\/www.artificialis.eu\/?p=5652\" target=\"_blank\" rel=\"noopener\">Bologna: Art, Art, Art<\/a><\/span><\/p>\n<p><strong>Impressions of:<\/strong><\/p>\n<p><span style=\"color: #2c80aa;\"><a style=\"color: #2c80aa;\" href=\"https:\/\/www.artificialis.eu\/?p=5662\" target=\"_blank\" rel=\"noopener\">ARTE FIERA 42<\/a><\/span><\/p>\n<p><span style=\"color: #2c80aa;\"><a style=\"color: #2c80aa;\" href=\"https:\/\/www.artificialis.eu\/?p=5970\" target=\"_blank\" rel=\"noopener\">SetUp Contemporary Art Fair<\/a><\/span><\/p>\n<p>ARTE CITY<\/p>\n","protected":false},"excerpt":{"rendered":"<p>During the weekend of the ARTE FIERA in Bologna, there are many artistic initiatives to welcome visitors and local residents. The range is huge from classical panel painting to installation, film projection and performance. Every art lover might find something interesting. In the following, we present our impressions of 28 events. They are sorted by&#8230;&nbsp;(<a href=\"https:\/\/www.artificialis.eu\/?p=6280\">read more<\/a>)<\/p>\n","protected":false},"author":1,"featured_media":5657,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[18],"tags":[1356,33,1420,1410,1433,1358,1417,1396,23,1400,398,1424,1412,391,1421,1418,1415,1416,1438,263,1435,363,404,571,44,1403,110,1423,1436,1405,111,1406,975,1407,1425,1408,397,1146,565,1434,1414,1409,1439,1431,1437,1428,1404,147,1432,1401,1419,1429,1402,1426,1430,37,1427,433,1413,1422,1411,357],"class_list":["post-6280","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exhibitions","tag-1356","tag-adiacenze","tag-andreco","tag-angelo-maisto","tag-art-forum","tag-arte-city","tag-banca-di-bologna","tag-blu-gallery","tag-bologna","tag-bruna-esposito","tag-car-drde","tag-claudio-olivieri","tag-click-clack","tag-david-medalla","tag-dennis-oppenheim","tag-deutscher-werkbund","tag-elia-cantori","tag-erin-shirreff","tag-fondazione-golinelli","tag-galleria-b4","tag-galleria-cavour","tag-galleria-darte-maggiore","tag-galleria-defoscherari","tag-galleria-enrico-astuni","tag-gallleriapiu","tag-gianni-dessi","tag-goethe-zentrum","tag-greatest-hits","tag-green-lounge","tag-i-lied-in-visa-center","tag-istituto-di-cultura-germanica","tag-john-coplans","tag-joseph-montgomery","tag-june-crespo","tag-la-spazia","tag-leoncillo","tag-localedue","tag-luigi-veronesi","tag-mambo","tag-maria-rebecca-ballestra","tag-mariarosaria-stigliano","tag-mataro-da-vergato","tag-matteo-coluccia","tag-mexicco","tag-nino-noce","tag-orozco","tag-otto-gallery","tag-p420","tag-peter-demetz","tag-raccolta-lecaro","tag-rene-paresce","tag-rivera","tag-roberto-daolio","tag-roberto-pugliese","tag-siqueiros","tag-spazio-testoni","tag-teatro-anatomica-dellarchiginnasio","tag-tripla","tag-vedovamazzei","tag-viewer-abandonment","tag-virgilo-villoresi","tag-white-night"],"_links":{"self":[{"href":"https:\/\/www.artificialis.eu\/index.php?rest_route=\/wp\/v2\/posts\/6280","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artificialis.eu\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artificialis.eu\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artificialis.eu\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artificialis.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6280"}],"version-history":[{"count":0,"href":"https:\/\/www.artificialis.eu\/index.php?rest_route=\/wp\/v2\/posts\/6280\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artificialis.eu\/index.php?rest_route=\/wp\/v2\/media\/5657"}],"wp:attachment":[{"href":"https:\/\/www.artificialis.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6280"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artificialis.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6280"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artificialis.eu\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6280"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}