{"id":3653,"date":"2017-02-15T18:40:58","date_gmt":"2017-02-15T16:40:58","guid":{"rendered":"https:\/\/www.artificialis.eu\/?p=3653"},"modified":"2017-02-15T18:48:25","modified_gmt":"2017-02-15T16:48:25","slug":"arte-fiera-2017-part-2-special-attention-to-17-booths","status":"publish","type":"post","link":"https:\/\/www.artificialis.eu\/?p=3653","title":{"rendered":"Arte Fiera 2017 \u2013 part 2: Special attention to 17 booths"},"content":{"rendered":"

\"entryfiera2\"<\/a>The facts:<\/p>\n

41. Edition: 27 \u2013 30 January 2017<\/p>\n

– 178 Exhibitors
\n– 153 Galleries
\n– 48.000 visitors \u2026 read more<\/a><\/span><\/p>\n

 <\/p>\n

In the first part of our Arte Fiera review<\/a><\/span>, we described basic conditions of this year\u2019s art fair in Bologna. With regard to the curatorship, we will present in the following some stands, which attracted our special attention.<\/p>\n

 <\/p>\n

Entering the first hall 25, the visitor was greeted by Studio Trisorio<\/a><\/span> from Naples. Its silent poetry was introduced by two photos with sea view by Raffaela Mariniello and Stefano Cerio. Inside the booth waited an arrangement with one photo by Eulalia Valldosera and two works by Rebecca Horn. Vis-\u00e0-vis, \u201cMondo rosso\u201d (Red world) by Fabrizio Corneli and the \u201cCorpi Fragili\u201d (Fragile Objects) by Alfredo Maiorino form – by their colours – a harmonious complement. More works by Maiorino, Umberto Manzo and Sergio Fermariello were fitting well in this hanging, since they revive the dominant white.<\/p>\n

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