{"id":15269,"date":"2024-12-31T15:00:29","date_gmt":"2024-12-31T13:00:29","guid":{"rendered":"https:\/\/www.artificialis.eu\/?p=15269"},"modified":"2025-01-08T15:23:22","modified_gmt":"2025-01-08T13:23:22","slug":"2024-revisited","status":"publish","type":"post","link":"https:\/\/www.artificialis.eu\/?p=15269","title":{"rendered":"2024 revisited"},"content":{"rendered":"

\"\"<\/a><\/p>\n

Our Artworks of the Month 2024 where unexceptionally dedicated to photography. Since the first artworks were executed by photographers, we decided to continue with this technique to allow you to see various contemporary approaches. Moreover, we reviewed the Bolognese Art Week 2024<\/a><\/span> with articles about the uncountable<\/a><\/span> venues of the ART CITY<\/a><\/span> and the ARTE FIERA<\/a><\/span>. In May we visited the 60th Venice Biennale and highlighted the main exhibitions in the <\/em>Giardini<\/a><\/span> and the <\/em>Arsenale<\/a><\/span>.<\/em><\/p>\n

 <\/p>\n

January<\/strong><\/p>\n

\"\"<\/a><\/p>\n

2024 started with Anna di Prospero<\/a><\/span>\u2019s photo \u201cTrieste Central Station<\/a><\/span>\u201d, which points to the second eldest station of her series \u201cThe Memory of the Railway Stations\u201d. Here, a woman dressed in red is running to the building. Is she late?<\/p>\n

\"\"<\/a><\/p>\n

Conversely, for the edition 2024 of the ART CITY<\/a><\/span> in Bologna we were early enough to give you some proposals of exhibitions before the start of the 47th ARTE FIERA.<\/p>\n

 <\/p>\n

February<\/strong><\/p>\n

\"\"<\/a><\/p>\n

In February, Tamara Stoffers<\/a><\/span> deplored her obliged leave in \u201cThe Home we lost<\/a><\/span>\u201d. Her series with the same name documents and digests the event.<\/p>\n

\"\"<\/a><\/p>\n

Moreover, the Bolognese ART WEEK was on focus. We visited the anniversary edition of the ARTE FIERA<\/a><\/span>, who paid a special attention to the early days of its 50 years of existence. However, there was also a lot of contemporary art on view.<\/p>\n

\"\"<\/a><\/p>\n

During the White Night of the ART CITY there were uncountable venues in Bologna. We presented nine<\/a><\/span> of them to you.<\/p>\n

\"\"<\/a><\/p>\n

Additionally, several exhibitions proposed in the context of the ART CITY<\/a><\/span> were longer on view.<\/p>\n

 <\/p>\n

March<\/strong><\/p>\n

\"\"<\/a><\/p>\n

With Patricia Lascabannes<\/a><\/span>\u2019 \u201c116 (Ascension)<\/a><\/span>\u201d we glanced into a special staircase.<\/p>\n

 <\/p>\n

April<\/strong><\/p>\n

\"\"<\/a><\/p>\n

Mary Ellen Bartley<\/a><\/span> allowed us with \u201cLarge White Bottle and Shadow<\/a><\/span>\u201d not only insides into her own artistic work, but also referred to a famous Bolognese painter and etcher whose oeuvre is involved.<\/p>\n

 <\/p>\n

May<\/strong><\/p>\n

\"\"<\/a><\/p>\n

May 2024 was the month of the opening of the 60th Biennale di Venezia with the title \u201cForeigners Everywhere\u201d. In a first article we pointed to the part in the Giardini<\/a><\/span> of the international art exhibition.<\/p>\n

 <\/p>\n

June<\/strong><\/p>\n

\"\"<\/a><\/p>\n

Since we skipped the May Artwork of the Month, the one for June was a diptych<\/a><\/span> created by two artists: Manjari Sharma<\/a><\/span> & Irina Rozovsky<\/a><\/span>.<\/p>\n

 <\/p>\n

July<\/strong><\/p>\n

\"\"<\/a><\/p>\n

July was once again Biennale Month, when we presented the main exhibition of \u201cForeigners Everywhere\u201d in the Arsenale<\/a><\/span>.<\/p>\n

 <\/p>\n

August<\/strong><\/p>\n

\"\"<\/a><\/p>\n

Summer Break<\/em><\/p>\n

 <\/p>\n

September<\/strong><\/p>\n

\"\"<\/a><\/p>\n

Marie C\u00e9cile Thijs<\/a><\/span> seems to rearrange Dutch still-lifes. Though she isolates renown elements and gives them a new life<\/a><\/span>.<\/p>\n

 <\/p>\n

October<\/strong><\/p>\n

\"\"<\/a><\/p>\n

Ang\u00e8le Etoundi Essamba<\/a><\/span> has decided to reflect in her work on the identity of black women. \u201cA-FIL-IATION 28<\/a><\/span>\u201d is an excellent example.<\/p>\n

 <\/p>\n

November<\/strong><\/p>\n

\"\"<\/a><\/p>\n

In November, Am\u00e9lie Viale<\/a><\/span> made the impossible possible: she is \u201cWalking on Water<\/a><\/span>\u201d.<\/p>\n

 <\/p>\n

December<\/strong><\/p>\n

\"\"<\/a><\/p>\n

Also Alessia Rollo<\/a><\/span> pointed on an unusual kind of movement. However, here it is not herself but a forest<\/a><\/span> who is walking.<\/p>\n

 <\/p>\n

Thank you for following us in 2024. We hope you\u2019ll be again our guest in 2025!<\/em><\/p>\n

 <\/p>\n

\"\"<\/a><\/p>\n

 <\/p>\n

HAPPY NEW YEAR!!!<\/strong><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Our Artworks of the Month 2024 where unexceptionally dedicated to photography. Since the first artworks were executed by photographers, we decided to continue with this technique to allow you to see various contemporary approaches. Moreover, we reviewed the Bolognese Art Week 2024 with articles about the uncountable venues of the ART CITY and the ARTE… (read more<\/a>)<\/p>\n","protected":false},"author":1,"featured_media":15271,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[12,18],"tags":[3824,3793,4060,4017,1701,3030,4018,936,262,359,870,2782,302,681,2459,1005,23,4006,3904,299,306,3902,3834,3901,4004,3714,1608,1264,1792,3720,3674,4048,3666,1202,4033],"class_list":["post-15269","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artwork-of-the-month","category-exhibitions","tag-3824","tag-3793","tag-2024-revisited","tag-a-fil-iation-28","tag-alessia-rollo","tag-amelie-viale","tag-angele-etoundi-essamba","tag-anna-di-prospero","tag-arsenale","tag-art-city","tag-art-fair","tag-art-week","tag-arte-fiera","tag-artworks-of-the-month","tag-ascension","tag-biennale-di-venezia","tag-bologna","tag-citrus-glass","tag-diptych","tag-giardini","tag-giorgio-morandi","tag-irina-rozovsky","tag-large-white-bottle-and-shadow","tag-manjari-sharma","tag-marie-cecile-thijs","tag-mary-ellen-bartley","tag-patricia-lascabannes","tag-photography","tag-tamara-stoffers","tag-the-home-we-lost","tag-the-memory-of-the-railway-stations","tag-the-walking-forest","tag-trieste-central-station","tag-venice-biennale","tag-walking-on-water"],"_links":{"self":[{"href":"https:\/\/www.artificialis.eu\/index.php?rest_route=\/wp\/v2\/posts\/15269","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artificialis.eu\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artificialis.eu\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artificialis.eu\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artificialis.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=15269"}],"version-history":[{"count":0,"href":"https:\/\/www.artificialis.eu\/index.php?rest_route=\/wp\/v2\/posts\/15269\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artificialis.eu\/index.php?rest_route=\/wp\/v2\/media\/15271"}],"wp:attachment":[{"href":"https:\/\/www.artificialis.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=15269"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artificialis.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=15269"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artificialis.eu\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=15269"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}