{"id":15235,"date":"2024-07-12T18:03:32","date_gmt":"2024-07-12T16:03:32","guid":{"rendered":"https:\/\/www.artificialis.eu\/?p=15235"},"modified":"2024-07-12T18:03:32","modified_gmt":"2024-07-12T16:03:32","slug":"artworks-of-the-month-the-first-five-of-2024","status":"publish","type":"post","link":"https:\/\/www.artificialis.eu\/?p=15235","title":{"rendered":"ArtworkS of the Month: The first five of 2024"},"content":{"rendered":"<p><a href=\"https:\/\/www.artificialis.eu\/wp-content\/uploads\/2024\/07\/Artworks1-2024-Kopie.jpg\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-15236 size-thumbnail\" src=\"https:\/\/www.artificialis.eu\/wp-content\/uploads\/2024\/07\/Artworks1-2024-Kopie-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\"><\/a>Our five Artworks of the Month were made by six artists. The trend to photography continued. This focus doesn\u2019t exclude other disciplines in the future.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.artificialis.eu\/wp-content\/uploads\/2023\/12\/TRIESTE_01_Anna-Di-ProsperoSM.jpg\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-14725 size-thumbnail\" title=\"Anna Di Prospero: Stazione di Trieste Centrale (Trieste Central Station), 2022\" src=\"https:\/\/www.artificialis.eu\/wp-content\/uploads\/2023\/12\/TRIESTE_01_Anna-Di-ProsperoSM-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\"><\/a>In January, Anna Di Prospero offered her perception of the <span style=\"color: #2c80aa;\"><a style=\"color: #2c80aa;\" href=\"https:\/\/www.artificialis.eu\/?p=14724\" target=\"_blank\" rel=\"noopener\">Central Station of Trieste<\/a><\/span>. Instead of contenting herself in presenting the architecture, she added a mysterious Lady in Red to the picture.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.artificialis.eu\/wp-content\/uploads\/2024\/02\/rol-juni-kopieSM-scaled.jpg\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-14836 size-thumbnail\" title=\"Tamara Stoffers: The Home we lost, 2023\" src=\"https:\/\/www.artificialis.eu\/wp-content\/uploads\/2024\/02\/rol-juni-kopieSM-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\"><\/a>Also, Tamara Stoffers went on a journey, but on an involuntary one. With her series \u201c<span style=\"color: #2c80aa;\"><a style=\"color: #2c80aa;\" href=\"https:\/\/www.artificialis.eu\/?p=14835\" target=\"_blank\" rel=\"noopener\">The Home we lost<\/a><\/span>\u201d, she documented and digested her obliged leave of her house.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.artificialis.eu\/wp-content\/uploads\/2024\/03\/2023-11-Antibes\u00a9PatriciaLascabannesSM.jpg\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-15059 size-thumbnail\" title=\"Patricia Lascabannes: 116 (Ascension), 2024\" src=\"https:\/\/www.artificialis.eu\/wp-content\/uploads\/2024\/03\/2023-11-Antibes\u00a9PatriciaLascabannesSM-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/www.artificialis.eu\/wp-content\/uploads\/2024\/03\/2023-11-Antibes\u00a9PatriciaLascabannesSM-150x150.jpg 150w, https:\/\/www.artificialis.eu\/wp-content\/uploads\/2024\/03\/2023-11-Antibes\u00a9PatriciaLascabannesSM-300x300.jpg 300w, https:\/\/www.artificialis.eu\/wp-content\/uploads\/2024\/03\/2023-11-Antibes\u00a9PatriciaLascabannesSM-1024x1024.jpg 1024w, https:\/\/www.artificialis.eu\/wp-content\/uploads\/2024\/03\/2023-11-Antibes\u00a9PatriciaLascabannesSM-768x768.jpg 768w, https:\/\/www.artificialis.eu\/wp-content\/uploads\/2024\/03\/2023-11-Antibes\u00a9PatriciaLascabannesSM.jpg 1200w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a><\/p>\n<p>With \u201c<span style=\"color: #2c80aa;\"><a style=\"color: #2c80aa;\" href=\"https:\/\/www.artificialis.eu\/?p=15058\" target=\"_blank\" rel=\"noopener\">116 (Ascension)<\/a><\/span>\u201d Patricia Lascabannes allowed us in March a glance into a particular staircase at the Cap d\u2019Antibes, south of France.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.artificialis.eu\/wp-content\/uploads\/2024\/04\/Large-White-Bottle-and-ShadowSM.jpg\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-15066 size-thumbnail\" title=\"Mary Ellen Bartley: Large White Bottle and Shadow, 2022\" src=\"https:\/\/www.artificialis.eu\/wp-content\/uploads\/2024\/04\/Large-White-Bottle-and-ShadowSM-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\"><\/a>Mary Ellen Bartley visited the house of the Italian painter Giorgio Morandi. \u201c<span style=\"color: #2c80aa;\"><a style=\"color: #2c80aa;\" href=\"https:\/\/www.artificialis.eu\/?p=15065\" target=\"_blank\" rel=\"noopener\">Large White Bottle and Shadow<\/a><\/span>\u201d is part of a series, which resulted from it.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.artificialis.eu\/wp-content\/uploads\/2024\/06\/19-11bloodmelon-toseeyourface.jpg\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-15113 size-thumbnail\" title=\"Manjari Sharma &amp; Irina Rozovsky: Untitled, 2017\" src=\"https:\/\/www.artificialis.eu\/wp-content\/uploads\/2024\/06\/19-11bloodmelon-toseeyourface-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\"><\/a>Due to a commission by curator Mia Fineman for The Metropolitan Museum of Art, New York City, Manjari Sharma &amp; Irina Rozovsky started a visual conversation by exchanging photos. After the linear presented exhibition, they remixed the photos to create new diptychs. Our <span style=\"color: #2c80aa;\"><a style=\"color: #2c80aa;\" href=\"https:\/\/www.artificialis.eu\/?p=15114\" target=\"_blank\" rel=\"noopener\">Artwork of the Month June<\/a><\/span> is one of them.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>Now we hope you will enjoy your summer and will be back with us in September when we present a new artwork of the month.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Our five Artworks of the Month were made by six artists. The trend to photography continued. This focus doesn\u2019t exclude other disciplines in the future. &nbsp; &nbsp; &nbsp; &nbsp; In January, Anna Di Prospero offered her perception of the Central Station of Trieste. Instead of contenting herself in presenting the architecture, she added a mysterious&#8230;&nbsp;(<a href=\"https:\/\/www.artificialis.eu\/?p=15235\">read more<\/a>)<\/p>\n","protected":false},"author":1,"featured_media":15236,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[12],"tags":[4003,3793,936,681,4001,3902,3834,3901,3714,1608,1264,4002,1792,3720,3666,687],"class_list":["post-15235","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artwork-of-the-month","tag-116-ascension","tag-3793","tag-anna-di-prospero","tag-artworks-of-the-month","tag-first-five","tag-irina-rozovsky","tag-large-white-bottle-and-shadow","tag-manjari-sharma","tag-mary-ellen-bartley","tag-patricia-lascabannes","tag-photography","tag-stazione-centrale-di-trieste","tag-tamara-stoffers","tag-the-home-we-lost","tag-trieste-central-station","tag-untitled"],"_links":{"self":[{"href":"https:\/\/www.artificialis.eu\/index.php?rest_route=\/wp\/v2\/posts\/15235","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artificialis.eu\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artificialis.eu\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artificialis.eu\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artificialis.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=15235"}],"version-history":[{"count":0,"href":"https:\/\/www.artificialis.eu\/index.php?rest_route=\/wp\/v2\/posts\/15235\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artificialis.eu\/index.php?rest_route=\/wp\/v2\/media\/15236"}],"wp:attachment":[{"href":"https:\/\/www.artificialis.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=15235"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artificialis.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=15235"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artificialis.eu\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=15235"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}