{"id":14933,"date":"2024-02-14T19:55:24","date_gmt":"2024-02-14T17:55:24","guid":{"rendered":"https:\/\/www.artificialis.eu\/?p=14933"},"modified":"2024-02-14T19:55:24","modified_gmt":"2024-02-14T17:55:24","slug":"saturday-3rd-february-2024-9-venues-of-the-art-city","status":"publish","type":"post","link":"https:\/\/www.artificialis.eu\/?p=14933","title":{"rendered":"Saturday 3rd February 2024: 9 venues of the ART CITY"},"content":{"rendered":"

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As outlined previously, during this year\u2019s ART CITY several exhibitions opened earlier<\/a><\/span>, and even more are lasting longer<\/a><\/span> than the days of the ARTE FIERA. Nevertheless, there were various events, which were only accessible until 4th February 2024. Additionally, there were performances, only taking place on Saturday the 3rd, during the day and evening of the White Night. On the sunny Saturday, we started at lunchtime with the reenactment of Greta Sch\u00f6dl\u2019s historical performances on the Piazza Maggiore. The good weather lasted, and we made our way throughout the city with its many exhibitions. Finally, we closed the day with Claudia de Luca\u2019s and Elenora Conti\u2019s installation \u201cQuanto resta della notte\u201d in the Teatro DAMS Lab to conclude the day calmly, but still impressed by the manifold spectrum of the ART CITY.<\/p>\n

Artists:<\/em><\/p>\n

Greta Sch\u00f6dl, Immanente, Betty Zanelli, class of Fashion Design, Marco Visconti Prasca, Virgilo Sieni, Ilario Rossi, Emilio Isgr\u00f2, Anna Caterina Masotti, Luca Pagan, Claudia de Luca, Elenora Conti<\/em><\/p>\n

 <\/p>\n

Greta Sch\u00f6dl. Il tempo non esiste<\/strong>
\nPiazza Maggiore
\n3 February 2024: 12:30 p.m.<\/p>\n

Reenactment of ancient performances and honour to the artist. (\u201cTubo” (1978), “Bidone” (1978) and “Stra\u00dfenpoesie” (1980))<\/em><\/p>\n

ngg_shortcode_0_placeholderImmanente. L\u2019arte di Faenza riplasmata dall\u2019acqua<\/strong>
\nCollezioni Comunali d\u2019Arte
\n15 December 2023 \u2013 4 February 2024<\/p>\n

How natural catastrophes change the look of art.<\/em><\/p>\n

ngg_shortcode_1_placeholderThe crossing Threads. Concert for a Dress<\/strong>
\nPalazzo Fava Marescotti
\n29 January \u2013 4 February 2024<\/p>\n

Betty Zanelli\u2019s violins and the sustainable creations of her students in Fashion Design listening to a composition by Marco Visconti Prasca.<\/em><\/p>\n

ngg_shortcode_2_placeholderVirgilo Sieni. Elegia Luminosa<\/strong>
\nTeatro Comunale di Bologna
\n1 \u2013 4 February 2024<\/p>\n

Dance Morandi\u2019s objects. (Performance)<\/em><\/p>\n

ngg_shortcode_3_placeholderIlario Rossi. Unico movimento<\/strong>
\nSanta Maria della Vita
\n10 November 2023 \u2013 4 February 2024<\/p>\n

From portrait to landscape and abstraction.<\/em><\/p>\n

ngg_shortcode_4_placeholderEmilio Isgr\u00f2. Cancellazione dei Codice \u2013 Civile e penalePalazzo Malvezzi<\/strong>
\n1 \u2013 9 February 2024<\/p>\n

Giving legal texts a new sense.<\/em><\/p>\n

ngg_shortcode_5_placeholderAnna Caterina Masotti. A Single Moment<\/strong>
\nCripta di San Zama
\n31 January \u2013 4 February<\/p>\n

Ephemeral instants recorded for eternity.<\/em><\/p>\n

ngg_shortcode_6_placeholderLuca Pagan. Multi-Node<\/strong>
\nGallleriapi\u00f9
\n3 February 2024: 9 p.m.<\/p>\n

With the help of AI, the movement of human body creates sound. (Performance)<\/em><\/p>\n