{"id":10233,"date":"2023-01-09T13:23:23","date_gmt":"2023-01-09T11:23:23","guid":{"rendered":"https:\/\/www.artificialis.eu\/?p=10233"},"modified":"2023-01-12T16:13:51","modified_gmt":"2023-01-12T14:13:51","slug":"2022-revisited","status":"publish","type":"post","link":"https:\/\/www.artificialis.eu\/?p=10233","title":{"rendered":"2022 revisited"},"content":{"rendered":"

\"\"<\/a><\/p>\n

 <\/p>\n

The year 2022 was the year, where life went back to a little bit of normality, even though, there were some reminiscences to the pandemic. However, once more we could travel and appreciate artworks in real. Art fairs reopened and even the postponed Venice Biennale took place.<\/em><\/p>\n

 <\/p>\n

January<\/strong><\/p>\n

\"\"<\/a><\/p>\n

Appropriate to the longing to travel and the optimistic mood, Am\u00e9lie Viale<\/a><\/span> invited her iron to go on holidays<\/a><\/span>.<\/p>\n

 <\/p>\n

February<\/strong><\/p>\n

\"\"<\/a><\/p>\n

Since it was still difficult to plan live events, this year\u2019s BOOMing Contemporary Art Show<\/a><\/span> in Bologna was held in the virtual space.<\/p>\n

\"\"<\/a><\/p>\n

But with Irene Kung<\/a><\/span>\u2019s photo \u201cPingyao<\/a><\/span>\u201d we travelled to China.<\/p>\n

 <\/p>\n

March<\/strong><\/p>\n

\"\"<\/a><\/p>\n

Even though S\u00e9verine Gambier<\/a><\/span>\u2019s chair<\/a><\/span> at first glance might suggest to have a rest, the inscription on the seat prohibits to sit down. This is justifiable, since the chair is decorated with detailed mosaics, which are fragile and interesting to look at.<\/p>\n

 <\/p>\n

April<\/strong><\/p>\n

\"\"<\/a><\/p>\n

In Mad Meg<\/a><\/span>\u2019s monumental drawing \u201cPatriarch n\u00b0 1418 \u2013 The broken Face<\/a><\/span>\u201d one could discover some of S\u00e9verine\u2019s mosaics. This is no surprise, since the two artists worked together.<\/p>\n

\"\"<\/a><\/p>\n

Finally, the postponed Venice Biennale started on April 23rd. We visited \u201cThe Milk of Dreams<\/a><\/span>\u201d and the national pavilions in the Giardini and the Arsenale.<\/p>\n

 <\/p>\n

May<\/strong><\/p>\n

\"\"<\/a><\/p>\n

Thyra Schmidt<\/a><\/span> reflected in \u201cK\u00f6rper<\/a><\/span>\u201d (Body\/Bodies), a text-based artwork in two pieces, about proximity and distance, alienation and absence. Hence, about experiences most people felt during the pandemic.\"\"<\/a>Instead in January, the Bolognese art fair \u201cArte Fiera\u201d and with it, the Art City took place in May. We visited some of the numerous shows and gave 12 Tips<\/a><\/span>.<\/p>\n

\"\"<\/a><\/p>\n

After the closing of the Arte Fiera, several exhibitions in town<\/a><\/span> stayed open for a while. 14 of these venues, we presented in an additional article.<\/p>\n

 <\/p>\n

June<\/strong><\/p>\n

\"\"<\/a><\/p>\n

Afterwards, we reviewed the Arte Fiera<\/a><\/span> with its 142 galleries.<\/p>\n

\"\"<\/a><\/p>\n

At the art fair, we met Fiona Annis<\/a><\/span> and made her work \u201cA portion of that which was once everything (De-siderare II)<\/a><\/span>\u201d artwork of the month.<\/p>\n

 <\/p>\n

July<\/strong><\/p>\n

\"\"<\/a><\/p>\n

In July, slowly began the holiday season in Italy. Even several artworks travelled from Bologna to the seaside. They were presented in the exhibition \u201cPadiglione Bologna<\/a><\/span>\u201d in Marina di Ravenna.<\/p>\n

\"\"<\/a><\/p>\n

Moreover, we reminded the first six artworks of the month<\/a><\/span> of the current year.<\/p>\n

 <\/p>\n

August<\/strong><\/p>\n

\"\"<\/a><\/p>\n

Despite the summer break, we had two articles about the Venice Biennale \u201cA female look at the world<\/a><\/span>\u201d and in a second part the artists approach to \u201cNature and Technology<\/a><\/span>\u201d.<\/p>\n

 <\/p>\n

September<\/strong><\/p>\n

\"\"<\/a><\/p>\n

With \u201csuperficie #3 (surface #3)<\/a><\/span>\u201d Rossana Taormina<\/a><\/span> visualised traces, which the time left on an urban pavement.<\/p>\n

 <\/p>\n

October<\/strong><\/p>\n

\"\"<\/a><\/p>\n

In her series \u201cSomeone to Love<\/a><\/span>\u201d (1988-2011) Cristina Nu\u00f1ez<\/a><\/span> explored herself and her history. One of the resulting photos \u201cEdith Piaf\u201d was our October artwork of the month.<\/p>\n

 <\/p>\n

November<\/strong><\/p>\n

\"\"<\/a><\/p>\n

Glenda Le\u00f3n<\/a><\/span> enabled us with her installation to listen to the moon<\/a><\/span>. This artwork is not only to appreciate visually and audibly, but also the bystander could get involved to create sound.<\/p>\n

 <\/p>\n

December<\/strong><\/p>\n

\"\"<\/a><\/p>\n

The thirteen white round candles<\/a><\/span> by Valeria Vaccaro<\/a><\/span> refer to time and the contrast between the material of the artwork and the featured objects.<\/p>\n

 <\/p>\n

\"\"<\/a><\/p>\n

Thank you for following us in 2022. We hope you\u2019ll be our guest again in 2023!<\/strong><\/p>\n

HAPPY NEW YEAR!!!<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

  The year 2022 was the year, where life went back to a little bit of normality, even though, there were some reminiscences to the pandemic. However, once more we could travel and appreciate artworks in real. Art fairs reopened and even the postponed Venice Biennale took place.   January Appropriate to the longing to… (read more<\/a>)<\/p>\n","protected":false},"author":1,"featured_media":10235,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[18],"tags":[3046,3383,3030,359,302,3142,3141,23,2316,2315,3074,3149,3385,2943,3344,3387,3150,1314,495,167,3140,3359,2353,3237,3300,3386,3102,3039,3154,3061,3343,3371,3318,3388,3106,3127,67,3384,2120,1202],"class_list":["post-10233","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exhibitions","tag-3046","tag-2022-revisited","tag-amelie-viale","tag-art-city","tag-arte-fiera","tag-bodies","tag-body","tag-bologna","tag-booming","tag-booming-contemporary-art-show","tag-chair","tag-cristina-nunez","tag-de-siderare","tag-drawing","tag-edith-piaf","tag-female-look-at-the-world","tag-fiona-annis","tag-glenda-leon","tag-irene-kung","tag-iron","tag-korper","tag-listening-to-the-moon","tag-mad-meg","tag-marina-di-ravenna","tag-nature-and-technology","tag-padiglione-bologna","tag-patriarch","tag-pingyao","tag-rossana-taormina","tag-severine-gambier","tag-someone-to-love","tag-sottile-artificio-linear","tag-superficie-3","tag-surface-3","tag-the-broken-face","tag-the-milk-of-dreams","tag-thyra-schmidt","tag-tips","tag-valeria-vaccaro","tag-venice-biennale"],"_links":{"self":[{"href":"https:\/\/www.artificialis.eu\/index.php?rest_route=\/wp\/v2\/posts\/10233","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artificialis.eu\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artificialis.eu\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artificialis.eu\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artificialis.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=10233"}],"version-history":[{"count":0,"href":"https:\/\/www.artificialis.eu\/index.php?rest_route=\/wp\/v2\/posts\/10233\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artificialis.eu\/index.php?rest_route=\/wp\/v2\/media\/10235"}],"wp:attachment":[{"href":"https:\/\/www.artificialis.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=10233"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artificialis.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=10233"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artificialis.eu\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=10233"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}