{"id":9052,"date":"2020-04-06T17:15:18","date_gmt":"2020-04-06T15:15:18","guid":{"rendered":"https:\/\/www.artificialis.eu\/?page_id=9052"},"modified":"2023-09-08T18:54:48","modified_gmt":"2023-09-08T16:54:48","slug":"elena-franco","status":"publish","type":"page","link":"https:\/\/www.artificialis.eu\/?page_id=9052","title":{"rendered":"Elena Franco"},"content":{"rendered":"

Born in 1973 in Turin, Italy, Elena Franco studied architecture and restoration at the Politecnico<\/span> <\/a>in her hometown. She works in the field of urban and territorial valorisation. As author of articles and essays about urban revitalisation for Il Giornale dell\u2019Architettura<\/span><\/a>, she often is invited as lecturer at congresses and workshops in Italy and abroad. Additionally, Elena is artistic director of the Fondazione Arte Nova<\/a><\/span>, which is destined to enhance the Liberty culture and Art Nouveau.<\/p>\n

In conjunction with her commissions from local communities, photography is essential to her for research and documentation. Hence, Elena developed in 2012 \u201cHospitalia<\/a><\/span>\u201d \u2013 her first artistic photo project. Therefore, she investigated in ancient hospitals and their archives in different countries of Europe, to find evidence of social aspects and community responsibility in medical care. The result is a photo series of historic care facilities, today abandoned, transformed or still in use. Presented in different solo shows or as part of group exhibitions in many Italian cities and in France, the series entered in public and private collections. In 2015, the artist was awarded for it with the Premio Mediterraneo and in 2016 selected as finalist for the Combat Prize<\/a><\/span> and the Premio Streamers<\/a><\/span>. Published by ARTEMA, Tiziana Bonomo edited a book with the pictures of \u201cHospitalia\u201d. Moreover, the project was object of several single publications.<\/p>\n

As currently last series of the project \u201cHospitalia\u201d, Elena photographed in 2020 the architectural ensembles of Notre-Dame \u00e0 la Rose<\/a><\/span> in Lessines, Belgium, Santa Maria della Scala<\/a><\/span> in Siena, Italy and the Hospices de Beaune, France. These institutions are all former charitable hospitals, which are in nowadays museums. Here she researched for points of correlation between environments of care and art as a humanising element. The resulting series \u201cArs Curandi<\/a><\/span>\u201d shows single artworks in the structures or outlooks on the buildings and their surroundings. United as solo exhibition in 2021, the images were on view in the gallery Studio Cenacchi, Bologna and in the Galleria Visioni 47, Alessandria, accompanied by a bilingual publication. In September 2023, the photo \u201cArs Curandi, Beaune\u201d is our artwork of the month.<\/p>\n

During her research for \u201cHospitalia\u201d, Elena discovered depictions of the Imago Pietatis (Christ of Pity), devotional images, intended to stimulate compassion and pity in the contemplator. In the Bolognese Archivio Storico del Monte di Piet\u00e0<\/span><\/a> (Historical Archive of the Mount of piety) she studied the iconography of these pictures. The archive bears 138 administrative volumes from the period between 1473 and 1808. This was the time, when the Foundation of Mounts was active in the allocation of affordable microcredits for small craftsmen and traders. The book\u2019s edges are decorated with the Imago Pietatis. They are referring to solidarity of caring in the largest sense. Depending on the time of origin, the embellishing elements vary.<\/p>\n

Elena created several oeuvres related to the archive and its depictions. In 2020, the result was presented in the Premio New Post Photographyexhibition \u201cImago Pietatis<\/a><\/span>\u201d at the Bolognese gallery Studio Cenacchi<\/a><\/span>. On this occasion, the artist published an artist book in the edition of three, with 414 photos of the 138 archival images and many details. These volumes are following the design of the administrative books. Moreover, there are series of posters, where single photos are featured on coloured ground. Two of them are forming the word \u201cLove\u201d with the signature letters of the tomes. The series 1 was our artwork of the month in April 2020<\/a><\/span>. However, the artist didn\u2019t limit herself in the reproduction of the originals in a new context. She also printed details on cloth. Additionally, she highlighted the passionflower by creating processed depictions of the plant. The series \u201cPassiflora #1\u201d shows it in different states of appearance: the flower itself, a leaf, the fruit from the outside and a cut-open fruit to show the inside. A catalogue with commenting essays referring to these oeuvres and the archive of the Mount of piety was also published. In 2020, she won the  from the MIA Fair<\/a><\/span>, whose presence show had to be cancelled due to the pandemic. Hence, the scheduled special exhibition with the presentation of \u201cImago Pietatis<\/a><\/span>\u201d could not take place.<\/p>\n

With her research and artistic echo to archives and architecture, Elena enhances the awareness of the focussed cultural heritages. For this purpose, she employs the media photography, but also borrows from different fields like advertising and traditional or recent art history. Herewith, she uses an artistic language, which \u2013 deciphered by the contemplator \u2013 could inspire personal reflections.<\/p>\n

Elena lives and works in the province of Turin.<\/p>\n

http:\/\/elenafranco.it<\/a><\/span><\/p>\n

Artwork of the Month \/ September 2023<\/a><\/p><\/blockquote>\n