{"id":15257,"date":"2024-10-04T16:01:53","date_gmt":"2024-10-04T14:01:53","guid":{"rendered":"https:\/\/www.artificialis.eu\/?page_id=15257"},"modified":"2024-10-04T16:01:53","modified_gmt":"2024-10-04T14:01:53","slug":"angele-etoundi-essamba","status":"publish","type":"page","link":"https:\/\/www.artificialis.eu\/?page_id=15257","title":{"rendered":"Ang\u00e8le Etoundi Essamba"},"content":{"rendered":"<p>Born in 1962 in Douala, Cameroon, Ang\u00e8le Etoundi Essamba moved at the age of 10 to Paris. Early, she was interested in photography and made her high school graduation in France. Then she transferred to Amsterdam and studied there at the&nbsp;<span style=\"color: #2c80aa;\"><a style=\"color: #2c80aa;\" href=\"https:\/\/fotovakschool.nl\/home\/praktische-informatie\/vestigingen\/amsterdam\" target=\"_blank\" rel=\"noopener\">Nederlandse Fotovakschool<\/a><\/span>&nbsp;(Dutch School for Professional Photography), which she left with a diploma. Additionally, she holds a bachelor\u2019s degree in art history. Subsequently, she returned to Cameroon for a while.<\/p>\n<p>In her work, the representation of black women is Ang\u00e8le\u2019s primary objective. By her reflection on the identity of black women, she breaks stereotypes and empowers her models to \u201cshow pride, strength and awareness and to take charge of their own narrative\u201d (1). In the beginning of her career, she focussed on analogue black and white photography, which she developed in her own darkroom. Since 2006, she replaced this technique by digital photography. However, several of her works are still dominated by these \u201cnon-colours\u201d, but accentuated by accessories in bright colours, like in her series \u201c<span style=\"color: #2c80aa;\"><a style=\"color: #2c80aa;\" href=\"https:\/\/www.essamba-art.com\/album\/droit-de-regards\/\" target=\"_blank\" rel=\"noopener\">Droit de Regard<\/a><\/span>\u201d from 2021, where the depicted women are wearing colourful headscarves. Besides single portraits, there are double portraits and group photographs (<span style=\"color: #2c80aa;\"><a style=\"color: #2c80aa;\" href=\"https:\/\/www.essamba-art.com\/album\/terre\/\" target=\"_blank\" rel=\"noopener\">Terre<\/a><\/span>,&nbsp;<span style=\"color: #2c80aa;\"><a style=\"color: #2c80aa;\" href=\"https:\/\/www.essamba-art.com\/album\/backs\/\" target=\"_blank\" rel=\"noopener\">Corps \u00e0 Corps<\/a><\/span>) and pictures of women in their environment (<span style=\"color: #2c80aa;\"><a style=\"color: #2c80aa;\" href=\"https:\/\/www.essamba-art.com\/album\/women-of-the-water\/\" target=\"_blank\" rel=\"noopener\">Women of the Water<\/a><\/span>,&nbsp;<span style=\"color: #2c80aa;\"><a style=\"color: #2c80aa;\" href=\"https:\/\/www.essamba-art.com\/album\/healing\/\" target=\"_blank\" rel=\"noopener\">Healing<\/a><\/span>,&nbsp;<span style=\"color: #2c80aa;\"><a style=\"color: #2c80aa;\" href=\"https:\/\/www.essamba-art.com\/album\/un-autre-monde\/\" target=\"_blank\" rel=\"noopener\">Un autre Monde<\/a><\/span>). Herewith, the artist transmits impressions of contemporary African women and culture. By the time, colours entered increasingly in the oeuvre.<\/p>\n<p>To underline the importance of her models, Ang\u00e8le also introduces occidental iconography. Hereby, she sometimes refers to Christian depictions of the Virgin Mary (<span style=\"color: #2c80aa;\"><a style=\"color: #2c80aa;\" href=\"https:\/\/www.essamba-art.com\/album\/les-voix-du-silence\/#gallery-1\" target=\"_blank\" rel=\"noopener\">Les Voix du Silence<\/a><\/span>,&nbsp;<span style=\"color: #2c80aa;\"><a style=\"color: #2c80aa;\" href=\"https:\/\/www.essamba-art.com\/album\/a-fil-iations\/\" target=\"_blank\" rel=\"noopener\">A-Fil-Iations<\/a><\/span>), paintings from the Dutch seventeenth Century (<span style=\"color: #2c80aa;\"><a style=\"color: #2c80aa;\" href=\"https:\/\/www.essamba-art.com\/album\/noire-vermeer-a-girl-with-an-amber-earring\/\" target=\"_blank\" rel=\"noopener\">Girl with an Amber Earring<\/a><\/span>,&nbsp;<span style=\"color: #2c80aa;\"><a style=\"color: #2c80aa;\" href=\"https:\/\/www.essamba-art.com\/album\/renaissance\/\" target=\"_blank\" rel=\"noopener\">Renaissance<\/a><\/span>) or even to Greek mythology like in our <span style=\"color: #2c80aa;\"><a style=\"color: #2c80aa;\" href=\"https:\/\/www.artificialis.eu\/?p=15248\" target=\"_blank\" rel=\"noopener\">Artwork of the Month \/ October 2024<\/a><\/span>, which features A-Fil-Iation 28.<\/p>\n<p>Since 1985, Ang\u00e8le presents her works in numerous solo exhibitions and participates in many group shows, biennales and fairs all around the world. Besides Europe and Africa, her photographs travelled to United States, Latin America, Arab Emirates and Asia. Additionally, her works were inter alia on view at the&nbsp;<span style=\"color: #2c80aa;\"><a style=\"color: #2c80aa;\" href=\"http:\/\/wlam.cult.cu\/bienal_de_la_habana.html#header3-aa\" target=\"_blank\" rel=\"noopener\">Bienal de La Habana<\/a><\/span>, the&nbsp;<span style=\"color: #2c80aa;\"><a style=\"color: #2c80aa;\" href=\"https:\/\/fr.wikipedia.org\/wiki\/Biennale_de_Johannesbourg\" target=\"_blank\" rel=\"noopener\">Johannesburg Biennale<\/a><\/span>&nbsp;and twice at the&nbsp;<span style=\"color: #2c80aa;\"><a style=\"color: #2c80aa;\" href=\"https:\/\/www.labiennale.org\/en\" target=\"_blank\" rel=\"noopener\">Venice Biennale<\/a><\/span>&nbsp;(1994 and 2022) In her second Venice participation, her series A-Fil-Iations was part of the Pavilion of the Republic of Cameroon. Until 6th October 2024, the artist has her first solo exhibition in Rome \u201c<span style=\"color: #2c80aa;\"><a style=\"color: #2c80aa;\" href=\"https:\/\/www.museodiromaintrastevere.it\/en\/node\/1014394\" target=\"_blank\" rel=\"noopener\">Donne Determinate<\/a><\/span>\u201d (Determinated Woman) in the&nbsp;<span style=\"color: #2c80aa;\"><a style=\"color: #2c80aa;\" href=\"https:\/\/www.museodiromaintrastevere.it\/\" target=\"_blank\" rel=\"noopener\">Museo di Roma in Trastevere<\/a><\/span>. From 23rd October to 30th November 2024, her oeuvre will be exhibited in the&nbsp;<span style=\"color: #2c80aa;\"><a style=\"color: #2c80aa;\" href=\"https:\/\/darbacha.com\/\" target=\"_blank\" rel=\"noopener\">Mus\u00e9e Confluences, Dar El Bachar<\/a><\/span>&nbsp;in Marrakech under the title \u201cRegard de Femmes\u201d (View of Women) and is until 23th February 2025 part of the group show \u201cAfrica Rising: 21st-Century African Photography\u201d in the&nbsp;<span style=\"color: #2c80aa;\"><a style=\"color: #2c80aa;\" href=\"https:\/\/fitchburgartmuseum.org\/\" target=\"_blank\" rel=\"noopener\">Fitchburg Art Museum<\/a><\/span>&nbsp;(United States).<\/p>\n<p>Ang\u00e8le\u2019s photographs entered in many private and public collections like&nbsp;<span style=\"color: #2c80aa;\"><a style=\"color: #2c80aa;\" href=\"https:\/\/www.moma.org\/\" target=\"_blank\" rel=\"noopener\">Museum of Modern Art<\/a><\/span>&nbsp;(MoMA), New York, the&nbsp;<span style=\"color: #2c80aa;\"><a style=\"color: #2c80aa;\" href=\"https:\/\/www.worldbank.org\/en\/programs\/we-are-afrika\" target=\"_blank\" rel=\"noopener\">World Bank Art Program<\/a><\/span>, Washington DC and&nbsp;<span style=\"color: #2c80aa;\"><a style=\"color: #2c80aa;\" href=\"https:\/\/nmwa.org\/\" target=\"_blank\" rel=\"noopener\">The National Museum of Women in the Arts<\/a><\/span>, Washington DC. Moreover, her works are frequently reviewed in international publications. Besides photography, Ang\u00e8le makes videos, writes poems and creates sculptures. Moreover, she published several photobooks, for example \u201c<span style=\"color: #2c80aa;\"><a style=\"color: #2c80aa;\" href=\"https:\/\/shop.snap-collective.com\/en-fr\/products\/everything-is-connected-by-angele-etoundi-essamba\" target=\"_blank\" rel=\"noopener\">Everything is Connected<\/a><\/span>\u201d will be released soon.<\/p>\n<p>Ang\u00e8le lives and works in Amsterdam.<\/p>\n<p><a href=\"http:\/\/www.essamba-art.com\/\" target=\"_blank\" rel=\"noopener\"><span style=\"color: #2c80aa;\">www.essamba-art.com<\/span><\/a><\/p>\n<p>(1) Artist statement 28 September 2024, view also&nbsp;<span style=\"color: #2c80aa;\"><a style=\"color: #2c80aa;\" href=\"https:\/\/www.essamba-art.com\/about\/\" target=\"_blank\" rel=\"noopener\">https:\/\/www.essamba-art.com\/about\/<\/a><\/span>&nbsp;20 September 2024<\/p>\n<p>&nbsp;<\/p>\n<blockquote class=\"wp-embedded-content\" data-secret=\"p2vWb50IEa\"><p><a href=\"https:\/\/www.artificialis.eu\/?p=15248\">Artwork of the Month \/ October 2024<\/a><\/p><\/blockquote>\n<p><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; visibility: hidden;\" title=\"&#8220;Artwork of the Month \/ October 2024&#8221; &#8212; Artificialis\" src=\"https:\/\/www.artificialis.eu\/?p=15248&#038;embed=true#?secret=hqvTVGlQeg#?secret=p2vWb50IEa\" data-secret=\"p2vWb50IEa\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Born in 1962 in Douala, Cameroon, Ang\u00e8le Etoundi Essamba moved at the age of 10 to Paris. Early, she was interested in photography and made her high school graduation in France. Then she transferred to Amsterdam and studied there at the&nbsp;Nederlandse Fotovakschool&nbsp;(Dutch School for Professional Photography), which she left with a diploma. Additionally, she holds&#8230;&nbsp;(<a href=\"https:\/\/www.artificialis.eu\/?page_id=15257\">read more<\/a>)<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-15257","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.artificialis.eu\/index.php?rest_route=\/wp\/v2\/pages\/15257","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artificialis.eu\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.artificialis.eu\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.artificialis.eu\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artificialis.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=15257"}],"version-history":[{"count":0,"href":"https:\/\/www.artificialis.eu\/index.php?rest_route=\/wp\/v2\/pages\/15257\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artificialis.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=15257"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}