{"id":15119,"date":"2024-06-25T17:45:48","date_gmt":"2024-06-25T15:45:48","guid":{"rendered":"https:\/\/www.artificialis.eu\/?page_id=15119"},"modified":"2024-06-26T19:17:30","modified_gmt":"2024-06-26T17:17:30","slug":"irina-rozovsky","status":"publish","type":"page","link":"https:\/\/www.artificialis.eu\/?page_id=15119","title":{"rendered":"Irina Rozovsky"},"content":{"rendered":"<p>Born 1981 in Moscow, Russia, Irina Rozovsky moved with her parents to the United States at the age of 8 years. She studied at&nbsp;<span style=\"color: #2c80aa;\"><a style=\"color: #2c80aa;\" href=\"https:\/\/massart.edu\/\" target=\"_blank\" rel=\"noopener\">Massachusetts College of Art and Design<\/a><\/span>&nbsp;in Boston, Massachusetts.<\/p>\n<p>In her work, Irina searches inspiration by discovering new worlds. This could be so far unknown countries or special places close to her home. Instead of arranging a particular vision on her subject, she operates with spontaneity and intuition, to capture the ephemeral moment and atmosphere. In doing so, the \u201ccamera acts as a collaborator in this experience \u2013 photographing, for Rozovsky, is a way of getting to know a place and feeling its essence, a way of capturing the enchantment of the unfamiliar and the fleeting sense of connection that she shares with her subjects\u201d as stated by&nbsp;<span style=\"color: #2c80aa;\"><a style=\"color: #2c80aa;\" href=\"https:\/\/www.eugenieshinkle.com\/\" target=\"_blank\" rel=\"noopener\">Eugenie Shinkle<\/a><\/span>. Operating often in conflict areas, the artist prefers to remain the impartial observer instead of confirming existing stereotypes. This \u201cneutral\u201d view is exemplary in her series \u201c<span style=\"color: #2c80aa;\"><a style=\"color: #2c80aa;\" href=\"https:\/\/www.irinar.com\/projects\/one-to-nothing\" target=\"_blank\" rel=\"noopener\">One to Nothing<\/a><\/span>\u201d (2008-2010), originating from a journey to Israel. The artist shows the daily life of the two main population groups, the contrasts in the landscape and the traces of the enduring conflict, like modern ruins, without judgement.<\/p>\n<p>\u201c<span style=\"color: #2c80aa;\"><a style=\"color: #2c80aa;\" href=\"https:\/\/www.irinar.com\/projects\/island-in-my-mind\" target=\"_blank\" rel=\"noopener\">Island In My Mind<\/a><\/span>\u201d (2012-2014) is the result of her voyage to Cuba. Beside images of the vitality of the country and its inhabitants, Irina places photos of silent moments, impressions of the landscape and the daily life. Since 2014, she works on the series \u201c<span style=\"color: #2c80aa;\"><a style=\"color: #2c80aa;\" href=\"https:\/\/www.irinar.com\/projects\/mountain-black-heart\" target=\"_blank\" rel=\"noopener\">Mountain Black Heart<\/a><\/span>\u201d, which is based on her travel to the Balkans (Former Yugoslavia and neighbouring countries). Here she portraits single persons, urban environments and the countryside.<\/p>\n<p>For other projects, Irina focussed on special places in the United States. \u201c<span style=\"color: #2c80aa;\"><a style=\"color: #2c80aa;\" href=\"https:\/\/www.irinar.com\/projects\/rock-that-floats\" target=\"_blank\" rel=\"noopener\">A Rock That Floats \u2026<\/a><\/span>\u201d (2014-15) outlines her impressions, while riding on Americas backroads. Whereas she took the Route 15, the \u201c<span style=\"color: #2c80aa;\"><a style=\"color: #2c80aa;\" href=\"https:\/\/www.irinar.com\/projects\/traditions-highway\" target=\"_blank\" rel=\"noopener\">Traditions Highway<\/a><\/span>\u201d (2017- present) a thoroughfare in Georgia, which is a kind of travel diary. \u201c<span style=\"color: #2c80aa;\"><a style=\"color: #2c80aa;\" href=\"https:\/\/www.irinar.com\/projects\/in-plain-air\" target=\"_blank\" rel=\"noopener\">In Plain Air<\/a><\/span>\u201d (2011-2020) she depicts leisurely moments in the Prospect Park in Brooklyn, N.Y.<\/p>\n<p>Since 2017, Irina cooperates with <span style=\"color: #2c80aa;\"><a style=\"color: #2c80aa;\" href=\"https:\/\/www.artificialis.eu\/?page_id=15116\" target=\"_blank\" rel=\"noopener\">Manjari Sharma<\/a><\/span> for the series \u201c<a href=\"https:\/\/www.irinar.com\/projects\/to-see-your-face\" target=\"_blank\" rel=\"noopener\"><span style=\"color: #2c80aa;\">To See Your Fac<\/span>e<\/a>\u201d, which was originally commissioned for the&nbsp;<span style=\"color: #2c80aa;\"><a style=\"color: #2c80aa;\" href=\"https:\/\/www.metmuseum.org\/de\/exhibitions\/listings\/2017\/talking-pictures\" target=\"_blank\" rel=\"noopener\">Talking Pictures<\/a><\/span>&nbsp;exhibition at&nbsp;<span style=\"color: #2c80aa;\"><a style=\"color: #2c80aa;\" href=\"https:\/\/www.metmuseum.org\/\" target=\"_blank\" rel=\"noopener\">The Metropolitan Museum of Art<\/a><\/span>. Here join observations of natural settings, the built world and society with private views. Planned as limited five-month pictorial dialogue between the two artists, they continued to reorganise the original image pairs. One of these diptychs is our <span style=\"color: #2c80aa;\"><a style=\"color: #2c80aa;\" href=\"https:\/\/www.artificialis.eu\/?p=15114\" target=\"_blank\" rel=\"noopener\">Artwork of the Month \/ June 2024<\/a><\/span>.<\/p>\n<p>Besides Irina\u2019s travel-based series, her photographs are placed in other contexts, like for \u201c<span style=\"color: #2c80aa;\"><a style=\"color: #2c80aa;\" href=\"https:\/\/www.irinar.com\/projects\/miracle-center\" target=\"_blank\" rel=\"noopener\">Miracle Center<\/a><\/span>\u201d (2019-2020), where she inserted her images into found frames. Many are placed in travel frames, with double or multiple pictures, so that diptychs and small series are created. Moreover, many of the artist\u2019s series are published as photobooks.<\/p>\n<p>Irina had many solo exhibitions and participated in group shows and artists talks. Her works are represented in several collections, like The Metropolitan Museum of Art, the&nbsp;<span style=\"color: #2c80aa;\"><a style=\"color: #2c80aa;\" href=\"https:\/\/www.moma.org\/\" target=\"_blank\" rel=\"noopener\">Museum of Modern Art<\/a><\/span>&nbsp;and the&nbsp;<span style=\"color: #2c80aa;\"><a style=\"color: #2c80aa;\" href=\"https:\/\/www.mcny.org\/\" target=\"_blank\" rel=\"noopener\">Museum of the City of New York<\/a><\/span>. Additionally, she shares her artistic experience in the photography workshop space \u201c<span style=\"color: #2c80aa;\"><a style=\"color: #2c80aa;\" href=\"https:\/\/www.thehumid.com\/\" target=\"_blank\" rel=\"noopener\">The Humid<\/a><\/span>\u201d, which she runs with her husband&nbsp;<span style=\"color: #2c80aa;\"><a style=\"color: #2c80aa;\" href=\"https:\/\/www.marksteinmetz.net\/\" target=\"_blank\" rel=\"noopener\">Mark Steinmetz<\/a><\/span>.<\/p>\n<p>Irina lives and works in Athens, Georgia, United States.<\/p>\n<p><span style=\"color: #2c80aa;\"><a style=\"color: #2c80aa;\" href=\"http:\/\/www.irinar.com\/\" target=\"_blank\" rel=\"noopener\">www.irinar.com<\/a><\/span><\/p>\n<p>&nbsp;<\/p>\n<blockquote class=\"wp-embedded-content\" data-secret=\"K8AqfEMKee\"><p><a href=\"https:\/\/www.artificialis.eu\/?p=15114\">Artwork of the Month \/ June 2024<\/a><\/p><\/blockquote>\n<p><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" title=\"&#8220;Artwork of the Month \/ June 2024&#8221; &#8212; Artificialis\" src=\"https:\/\/www.artificialis.eu\/?p=15114&#038;embed=true#?secret=QG0O080Kqj#?secret=K8AqfEMKee\" data-secret=\"K8AqfEMKee\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Born 1981 in Moscow, Russia, Irina Rozovsky moved with her parents to the United States at the age of 8 years. She studied at&nbsp;Massachusetts College of Art and Design&nbsp;in Boston, Massachusetts. In her work, Irina searches inspiration by discovering new worlds. This could be so far unknown countries or special places close to her home&#8230;.&nbsp;(<a href=\"https:\/\/www.artificialis.eu\/?page_id=15119\">read more<\/a>)<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-15119","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.artificialis.eu\/index.php?rest_route=\/wp\/v2\/pages\/15119","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artificialis.eu\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.artificialis.eu\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.artificialis.eu\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artificialis.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=15119"}],"version-history":[{"count":0,"href":"https:\/\/www.artificialis.eu\/index.php?rest_route=\/wp\/v2\/pages\/15119\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artificialis.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=15119"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}